Zulu Love LetterA screenplay
- Publication Date: 2009
- Dimensions and Pages: 210 x 180 x 10mm, 122 pages
- EAN: 9781868144969
- Recommended Price (ZAR): 100.00
- Recommended Price (USD): 34.95
The 2004 film, Zulu Love Letter, won ten prestigious international awards and received over a dozen official invitations to premier international film festivals including the Venice International Film Festival (Venezia 61 orrizonti), Toronto International Film Festival, Fespaco (Burkina Faso), and the American Film Institute Los Angeles Festival, 2005.
Zulu Love Letter’s script, written by Bhekizizwe Peterson and Ramadan Suleman, is also a well-decorated article, having won the Special Jury Prize – Best Script 2001, at the Grand Prix du Meilleur Scenariste in Paris France.
Now, Wits University Press is proud to present the complete Peterson-Suleman screenplay.
Set against the backdrop of the success of the first democratic elections and the launch of the Truth and Reconciliation Commission in South Africa, Zulu Love Letter is a story of two mothers in search of their daughters.
Thandeka Khumalo is challenged with mending her estranged relationship with her thirteen-year-old daughter, Simangaliso, who grew up with her grandparents because of Thandeka’s career and political commitments. Tormented by a sense of guilt and grief that refuses to wane, Thandeka is battling to adjust to the changes around her. Her melancholy soul is compelled to confront her experiences of detention and torture when ghosts from the past reappear.
Me’Tau, the mother of a young activist whose assassination Thandeka witnessed and reported, wants Thandeka to help in finding the body of Dineo so that she can be given a fitting burial. For mourning to end and for healing to take place, the psychic demons that haunt the present must be recognised and exorcised.
Marking the ebb-and-flow of the adults’ attempts to deal with the historical inheritances of apartheid, is the “Love Letter” that Simangaliso is weaving as a gift to her mother. A colourful tapestry of beads, trinkets and buttons, the ‘Love Letter’ encapsulates the power of the arts in fostering memory-work, healing and love.
“Zulu Love Letter is an extraordinary film for a number of reasons. It creates a local narrative with national resonances; centralises women and their experiences; engages an African aesthetics rooted in an African spirituality while sustaining an identifiable contemporary look and fee … It strives to expose truth and reveals the impossibility of ever fully knowing it. Yet, there have been terrible abuses towards humanity exacted under apartheid that the film is in a position to visualise on behalf of those who survive them. Zulu Love Letter has bravely created a new cinematic space for representing historical truths.”
—Jacqueline Maingard, University of Bristol, United Kingdom
Bhekizizwe Peterson and Ramadan Suleman are directors of Natives At Large, a film and television production company that produced the feature films Fools and Zulu Love Letter. Peterson is also Associate Professor of African Literature, University of the Witwatersrand, Johannesburg.
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